Tuesday, November 11, 2008

called back to basics

Above is a photo of my home office showing the place where I (used to) sit each morning, catching up on emails, sipping coffee, watching the sunrise over lower Manhattan. . . If I had been sitting there yesterday morning around 9:00 am, I am not certain I would be writing this now.


My experiences at the Centered Riding International Educational Symposium in Brattleboro, Vermont this past weekend confirmed my feeling that it is time to expand the structure of this cyber “space” I have so enjoyed inhabiting. Although the events of yesterday put a slight kink in my plans, stay tuned for two additional spaces with links here (to follow). One will present information and capture reflections specific to the Alexander Technique and another separate space will do the same for Aikido.


In the meantime, below are links to pertinent entries on this blog regarding the Alexander Technique (you can also view the blog by category – choose one from the sidebar, or you can search using the box in the upper left-hand corner). The Alexander Technique bibliography provided at the Symposium, as well as the visual essay I used to illustrate the concept of "use of self" are available HERE . See Website Links in the sidebar for some Alexander Technique-related websites of interest.


This morning, I awoke before dawn and drank my coffee sitting on the floor of my study, reflecting on the scene before me. The debris had not been touched and I was trying to glean something from the juxtaposition of the books (formerly from the top three wall-to-wall shelves above my desk which had come tumbling down). I saw it as a kind of casting of the Runes. What message might I decipher by meditating on how the titles had arranged themselves? Their subjects differed, but they were all somehow related: Albinus on Anatomy, Light on Yoga, The Ease of Being, A Course in Miracles, Beelzebub’s Tales to his Grandson, Vibrational Medicine, The Practice of Freedom, to name only a few. It struck me that this could have been a close call -- or maybe it was a wake-up call.


The Symposium was so very rich with inspiration and information and supportive friends, new and old. I was extremely honored (and more than a bit intimidated) to be sharing the Alexander Technique portion, along with an amazing group of presenters on other bodywork modalities, consisting mainly of senior Centered Riding instructors – all incredibly knowledgeable and highly creative and seasoned teachers. I learned a lot and, in addition, for me it was a call back to basics – a call to get back on the mat and renew my Aikido training which has been interrupted by a stint of PT rehab for a shoulder injury; a call to continue to deepen my understanding of Centered Riding and an impetus to continue to grow in my teaching and expand my relationships with my Alexander colleagues in the wider world.


Entries with an Alexander Technique perspective:

a moment, with Marj

fitness without stress

mind like water

weaving in the threads

axis mundi

imprisoned splendour

swing time

better living through imagery

buoyancy

greater than the sum

first things first

poise

harmonyincludes video of aikido women instructors (myself included!)


Saturday, November 1, 2008

gypsy in my soul

Around Halloween especially, I fondly remember my Grandma Pauline, who always took such great joy in preparing us for this particular holiday, with its pagan roots. She was certainly a colorful character in my life, in stark contrast to my other grandparents who will have a dedicated entry with a photo which should be titled "American Gothic." When I shared this poem with my mother several years ago, she commented, "well, you know, it's all true!"

Last night, as I traveled home on the subway after working late, the car filled with an amazing assortment of creatively costumed New Yorkers of varying ages, I recalled my poem of remembrance and the photo of her shown above, inherited on a recent trip to the Midwest.


Pauline

my father’s mother loved to dress us up as gypsies


traveled with the carnival, hair always permed and red, toenails too
first husband alcoholic, second husband flew hot air balloons
but was killed in a car accident


wore Tabu and costume jewelry with rhinestones and plastic feathers
sewed her own clothes -- I remember that chartreuse polyester blouse
a zipper up the front, a gold metallic fish dangling from the tab

watched religiously The Edge of Night and As the World Turns
barmaid by profession, smoked and drank beer
had a series of Pekinese dogs, each one bad with children
and always named “Ty-Gee”

lived in a trailer surrounded by her garden
philodendrons in donkey-with-cart planters
were trained to grow around the entire inside
of that place

gold plaster elephants up on hind legs trunks curled
matte finish with tiny shiny drops all over them
lived on either side of her couch
a framed print torn from a calendar:
dogs around a table playing poker

she often wore a two-piece bathing suit

once a year we put on the red tiered skirts
with pink and turquoise rickrack trim
draped in scarves, hair flowing free
we became her gypsy band

husky voice, laughed a lot
she lived her gypsy life

and she told me I had rosebud lips
as she painted them bright and deep