Thursday, June 5, 2008
swing time
The video above communicates volumes about universal principles of body mechanics: Tiger Woods’ golf swing captured exquisitely in slow motion. The aesthetic choices of the filmmaker underscore the classicism of the pure form and remind us why this athlete has achieved an almost mythic status. For me, the primary aesthetic factor is the sheer perfection of his “use of self.” The movement is undeniably beautiful, and it is also mesmerizing . . . I just never seem to tire of watching it.
I can’t seem to resist writing about it either: the still, stable central axis, the grounding which continues in polarity to the raising of his arms, the spiral initiated from the center of the body (pelvis) which is then made manifest, until you see it reaching from the tip of the toe all the way around to the end of the golf club. The slow motion allows us to absorb some of the peaceful expression on his face and the easy quality in his neck area. And do you have any doubt about the power unleashed here?
In looking for other instances of this kind of perfect melding of form and function which have the power to captivate, a variety come to mind – the sensitive and supple dressage rider creating balance and harmony with the horse, an aikido master effortlessly moving through multiple attackers, moments of brilliance during the NBA playoffs, “my” New York hawks soaring nearby and heading out over Central Park, a favorite image of my daughter which captures her in a carefree and buoyant moment. And of course music does this too – a Latin groove, a coloratura’s shimmering riff, a Chopin mazurka, Bill Evans, or a plaintive and haunting solo English horn.
Well what do these disparate performances have in common? Maybe we could call it a lack of separation between the “performer” and the activity. It’s not easy to describe – but you probably feel it too.
“To swing is when an individual player or ensemble performs in such a rhythmically coordinated way as to command a visceral response from the listener; an irresistible gravitational buoyancy that defies mere verbal definition.” (emphasis mine)
--from the Jazz in America website
Maybe that’s what I’m getting at. As the tune says, “it don’t mean a thing if it ain’t got that swing . . .”
Labels:
aikido,
aikido video,
Alexander Technique,
bio-mechanics,
dressage,
golf,
jazz
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